As a symbol of the difficulty of working through guilt, Pearl the brat demands her mother put the fabric “A” back on her dress. On one level, the infant simply can’t accept a disruption in her mother’s appearance. But on another level, for Pearl, the letter is like a wedding ring, and casting it off is tantamount to breaking worse her already broken family.
If all you come away with in Nathaniel Hawthorne’s book is stones to throw at repressive religion, I respectfully suggest you’re not delving past a superficial reading of The Scarlet Letter. That is only one of the themes. Hawthorne’s genius explores the intricacies and complexities of the human psyche, and you’re settling for gold dust and missing the mother load.
To be sure, Hawthorne rains his pen down on failed religion. Arthur Dimmesdale flogs himself and performs excessive good works yet cannot find peace. His understanding of Jesus is deficient. A Christian is neither saved by piety nor charity; he is saved simply by Christ’s forgiveness, which Dimmesdale is blind to.
The book is full of ironies because Dimmesdale’s brokenness makes him the town’s favorite minister. This is eminently keen insight. If you have never suffered, you can’t have compassion on your fellows when ministering the word.
Hester Prynne herself, after her one sin of passion, likewise constrains herself to a rigorous life of charity. She dresses the drabbest colors and constricts her luxurious mane of hair to the insides of a bonnet.
After seven years of suffering, the pair meet in the forest and scheme to run away together back to England. Suddenly, sunshine pours in on them and the feel the exhilarating release of nearly a decade of pressure, scrutiny and condemnation.
It’s a good plan — except that they see themselves a sinners for doing it. Pearl is only the first to ruin it. She insists with a temper tantrum that her mother restore the letter to its rightful place. Then Roger Chillingworth, the evil avenger, completes the fatal stroke by booking passage on the same ship.
In traditional Greek fashion, the story must end as a tragedy. Hawthorne is sounding the dark regions of the human conscious, not writing a treatise on salvation. Nevertheless, the message emerges that only grace, only forgiveness in Jesus, can heal the heart. Religion never works — only relationship with Jesus.
The traditional spin on this book is that society is to blame for oppressing these free spirits. If you want to read the book that way, go ahead. But I can’t help but see deeper. You can’t just throw away guilt so easily. You and I need to come to Christ and be healed of our sin. Restoration works, not repression.